A review by Sasha Grishin
Continue reading “NGA: The Third National Indigenous Art Triennial”
The schoolgirls of Charles Blackman – haunting works from a politically innocent age
Part of Charles Blackman’s The Exchange, 1952, oil on plywood on composition board. 91.7 x 91.7 cm. National Gallery of Victoria © Charles Blackman
Continue reading “Charles Blackman”
Exhibition Review : Review by Sasha Grishin
Sasha’s review was very cautious – and he seems to have avoided any criticisms. Click here.
Continue reading “The National 2017”
How hierarchies happen in contemporary Australian art
Sasha Grishin, Australian National University
There are about 30,000 professional practicing visual artists in Australia today (see note).
Continue reading “visual art hierarchies”