A Century of Japanese Prints

A Century of Japanese PrintsAugust 11, 2017—January 28, 2018Saint Louis Art Museum

Posted by The Art Museum on Monday, 14 August 2017

Cezanne Portraits

Jonathan Jones on the influence of CézanneCézanne Portraits at Musée d’Orsay, Paris, til 24 SeptNational Portrait Gallery, London from 26 Oct til 11 Feb 2018.

Posted by The Art Museum on Friday, 11 August 2017

Matisse in the Studio

Matisse in the StudioRoyal Academy, London until 12 November

Posted by The Art Museum on Sunday, 6 August 2017

Public art gallery collections

a quote that has a warning for a few art gallery directors in Australia – "Led astray by Campbell’s headlong embrace of…

Posted by The Art Museum on Sunday, 6 August 2017

Joan Ross

2017 Ravenswood women’s art prize

Artist Joan Ross wins the Ravenswood women's art prize

Posted by The Art Museum on Sunday, 6 August 2017

Xanthe Gay

exhibition: Botanica Eclectica at X Gallery

Silver exhibition dedicated to Robert Foster

Posted by The Art Museum on Sunday, 6 August 2017

bring back our art galleries

Jonathan Jones on getting rid of tourists rushing through galleries – to bring back slow tourisms – urging people to stop and enjoy the art.

Posted by The Art Museum on Friday, 4 August 2017

Jonathan Jones review

Jonathan Jones reviews Matisse in the StudioRoyal Academy, London, 5 August to 12 November

Posted by The Art Museum on Friday, 4 August 2017

Jonathan Jones and tourism in galleries

Jonathan Jones on getting rid of tourists rushing through galleries – to bring back slow tourisms – urging people to stop and enjoy the art.

Posted by The Art Museum on Friday, 4 August 2017

Politics of landscape

the 2017 Wynne Prize finalists

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Wynne Prize 2017 finalist James Drinkwater, ‘Passage to Rungli Rungliot’, oil on hardboard, 180x360cm. © the artist Photo: Felicity Jenkins, AGNSW Prudence Gibson, UNSW

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Katsushika Hokusai

from the Great Wave to Starry Night, how a blue pigment changed the world
File 20170718 22039 dlajiDetail from Katsushika Hokusai, The great wave off Kanagawa (Kanagawa oki namiura), (1830–34), from the Thirty-six views of Mt Fuji (Fugaku-sanjū-rokkei) National Gallery of Victoria, Melbourne Felton Bequest, 1909 (426-2)   Hugh Davies, La Trobe University

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Mid Winter – Canberra Visual Arts

My recommendations for mid winter visual arts in Canberra

Here’s a list of exhibitions I would recommend to locals and anyone thinking of visiting Canberra in mid winter 2017.

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MONA’s The Museum of Everything

The compulsion to create: ‘outsider art’ at MONA’s The Museum of Everything
File 20170613 32034 10dglu3Untitled (all), Hans-Jörg Georgi, 2010–15, Courtesy of The Museum of Everything. Moorilla Gallery, Courtesy of Atelier Goldstein and The Museum of Everything (installation by Lutz Pillong), CC BY

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NGA Filipino art review – part 2

More on the review on ArtsHub by Gina Fairley

There was an earlier comment by Arts Hub on issues around the National Gallery of Australia’s exhibition of Filipino art.

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NGA: The Third National Indigenous Art Triennial

A quick tour of the NGA exhibition
This tour is meant to whet your appetite for this NGA exhibition – The Third National Indigenous Art Triennial.

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NGA: The Third National Indigenous Art Triennial

A review by Sasha Grishin
This NGA exhibition is an exhibition of contemporary art that should not be missed. It’s very good.

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One to eight

A contemporary art project – Alison Alder

There’s a great little but significant exhibition of screen prints at the Museum of Democracy in Canberra (Old Parliament House).

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Charles Blackman

The schoolgirls of Charles Blackman – haunting works from a politically innocent age

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Part of Charles Blackman’s The Exchange, 1952, oil on plywood on composition board. 91.7 x 91.7 cm. National Gallery of Victoria © Charles Blackman
Sasha Grishin, Australian National University

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Vincent Van Gogh

Van Gogh and the Seasons is a sensitively curated crowd-pleaser despite a paucity of masterpieces

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A detail from Vincent Van Gogh’s A wheatfield, with cypresses, early September 1889.National Gallery, London. Bought, Courtauld Fund, 1923 (NG3861) © The National Gallery, London

Anita Pisch, Australian National University

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