
The opening of the TATE Britain exhibition of Don McCullin’s documentary photography has highlighted the role of the UK museums in collecting photography.
Continue reading “documentary photography in the UK museums”
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The opening of the TATE Britain exhibition of Don McCullin’s documentary photography has highlighted the role of the UK museums in collecting photography.
Continue reading “documentary photography in the UK museums”

Photography survey exhibition of Don McCullin’s documentary photography at the TATE Britain until 6th May 2019.
Here’s a link to the exhibition page – click here.

The National Gallery has bought a rare painting by 17th Century Italian artist Artemisia Gentileschi for £3.6m.

The visual art market has some very amazing forgeries in circulation – and who knows how many yet to be detected.
Contemporary Australian photography in LondonMichael Reid Gallery has opened an exhibition of Australian Contemporary Photography at the Australian High Commission in London.
Another big splash in London!

There is not a lot of well written independent thinking reviews of the visual arts. Many are cautious as they need to be mindful of the next gig – more a comment on how the powerplay function in the contemporary art scene.

Opening on 12 October 2018
Is this the confirmed date for the opening of the V&A Photography Centre? Buried in this article is the mention of the opening date for the V&A's Photography Centre – 12 October 2018
Posted by The Art Museum on Friday, 4 May 2018
Till 22 April 2018Andreas Gursky at Hayward Gallery, Southbank Centre, London
Posted by The Art Museum on Monday, 2 April 2018

We have uploaded a couple of times now on the research on whether Vermeer used a Camera Obscura as part of his process for some of his paintings. Now there’s more.. Continue reading “Vermeer”
one for the 2018 diaryVictorian Giants: The Birth of Art PhotographyNational Portrait Gallery (UK) 1 March – 20 May 2018
Posted by The Art Museum on Tuesday, 22 August 2017
Jonathan Jones on the influence of CézanneCézanne Portraits at Musée d’Orsay, Paris, til 24 SeptNational Portrait Gallery, London from 26 Oct til 11 Feb 2018.
Posted by The Art Museum on Friday, 11 August 2017
Matisse in the StudioRoyal Academy, London until 12 November
Posted by The Art Museum on Sunday, 6 August 2017
Jonathan Jones reviews Matisse in the StudioRoyal Academy, London, 5 August to 12 November
Posted by The Art Museum on Friday, 4 August 2017
A piece about August SanderPortraying a Nation: Germany 1919–1933 is on at Tate Liverpool 23 June – 15 October 2017
Posted by The Art Museum on Friday, 4 August 2017

Tate Liverpool: Sander sees the humanity in everyone, Dix nothing but horror, in this superb show exploring Germany between the wars.

The Victoria and Albert Museum (V&A) has revealed a visual of its new Photography Centre – click here

and to add to the heading – being sidelined by conservative governments and their agencies.
click on the image or here for Penny Craswell’s blog and her review of the new Design Museum in London
Click on image for story
Continue reading “V&A announces plans for new Photography Centre”
Click here for news on upcoming works to be atop the Fourth Plinth on Trafalgar Square.
Traces of VermeerFollowing a former post on a Vermeer exhibition, we received a comment and a link to a research site about Vermeer and how it is proposed that the artist used a Camera Obscura.

Beetles+Huxley (London) till 18 February 2017
Click on the image above for the announcement in The Guardian
Click on the image to see the point being made – it’s a good one!

I could spend hours writing about some of the stuff now being exhibited as being contemporary art.
This 2014 exhibition at the Tate was a magnificent exhibition.

The View from Here, brings together 70 key works that chart the history of landscape photography over the course of 175 years. click here for more.
Continue reading “National Galleries of Scotland’s photography”

From the gallery: This exhibition offered a glimpse of the lost architecture of preindustrial London, as captured in a series of carbon photoprints commissioned between 1875 and 1886 by the short-lived Society for Photographing the Relics of Old London.
An update on the move of the Royal Photography Society’s collection to the V&A – and the V&A as a centre for photography. click here.
The Fourth Plinth is the vacant plinth sitting in Trafalgar Square.

Last time I saw Blue Poles it was on temporary exhibition alone in a room at the NGA.
Continue reading “Abstract Expressionism at the RA London”