Contour 556 is a national public sculpture biennial, for Australia’s capital.
Curtain Call at Stills Gallery Sydney
Here at photographs of the opening of the final Stills Gallery exhibition – Curtin Call
There was something about the under reporting of the 2017 Venice Biennale that made me wonder.
Searching for Frank Hurley along our northern beaches
Did you know that Frank Hurley was a very keen gardener and photographer of wild flowers?
and to add to the heading – being sidelined by conservative governments and their agencies.
NGA photography news from Shaune Lakin, senior curator photography. (taken from his May 2017 newsletter – plus a little more)
click here for latest catalogue on Australian Art auctions.
an amazing study on the equity (or the lack of it) in the multicultural city of Los Angeles. Click here.
Click here for the newsletter update on the 2017 Auckland Festival of Photography – or
A notice for an exhibition by the Australian Centre for Photography, Sydney.
click here for the latest notice about Sydney’s photography festival – HEAD ON – 2 weeks to go.
Here’s a few of the exhibitions in Canberra this month.
Still have given notice of their final exhibition.
With Curtain Call, Stills Gallery is looking back over the history of the gallery and presents the mother of all salon hangs featuring over 70 artists from over the 26 years of exhibitions including:
Click here for more on the exhibition at Michael Reid of Christian Thompson’s photography exhibition.
Dörte Conroy – What Comes to Mind: Lorna Sim – Enigma:
Maurice Weidmann- Absence of Sunshine
Continue reading “The Photography Room May-June 2017”
click on the image or here for Penny Craswell’s blog and her review of the new Design Museum in London
This photoaccess exhibition is an exhibition I recommend – not because all the works are successful – but for combined messages.
There’s a great little but significant exhibition of screen prints at the Museum of Democracy in Canberra (Old Parliament House).
Part of Charles Blackman’s The Exchange, 1952, oil on plywood on composition board. 91.7 x 91.7 cm. National Gallery of Victoria © Charles Blackman
A detail from Vincent Van Gogh’s A wheatfield, with cypresses, early September 1889.National Gallery, London. Bought, Courtauld Fund, 1923 (NG3861) © The National Gallery, London